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Why Radio Spins Matter And Tips On How To Get Them



What separates well-known artists from those stuck in obscurity is one question that often is answered with just a couple of words: radio play. Getting your songs spun on the radio is in the best interests of any up-and-coming artist because just about every music exec looks at the radio industry as a proven ground for what’s going to stick with consumers and what gets rejected. In fact, most successful labels require the acts they sign to have a certain level of radio success to even consider signing the acts to their companies.

One of the toughest challenges for independent musicians is landing contacts within the radio industry that will listen to their request and hopefully play their music. One of the main reasons radio promo is so challenging is because not all stations play music from unsigned and unknown artists. 

So when approaching station programmers with request, independent artists often get overwhelmed with the amount of 'NOs' they hear and, as a result, get frustrated. Most just quit the process of reaching out all together.

A little known secret amongst those with the knowledge is that college radio stations accept, play and most of the time prefer independent music from very obscure bands. Another great aspect of college radio besides them playing independent music is the fact that there are literately thousands of college radio station across the US each with it’s own unique listener-ship and preferred style of music they like to play. So if you’re an independent act looking for radio promo, college radio is definitely one area that needs to be explored to the fullest.

The last thing that needs to be mentioned about radio promo is no matter what radio format you decide to explore as options for your promo strategy, it takes an enormous amount of time, energy, and patience to make any real head-way. If you’re getting lots of radio program directors to say no, don’t give up - keep going and going because patience and consistence pay off in the long run.

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By: Anonymous on 5/13/2013 1:00:06 PM

This is very, very tricky because most program/music directors follow what the trades say and what the trades say stem from the push and PR from the major labels--the folks with the big money, free tickets, station appearances, etc. Being on a major label legitimizes who you are as a singer or a band, with a song that is RADIO READY. Without that kind of backing, it's next to impossible to break through the barrier. If you do, you'd be one of the very, very few.

By: Anonymous on 5/12/2013 5:16:17 PM

Good article. My band and I are getting making some head waves through radio ourselves. We didn't hire a PR firm & we don't have a label backing us. It takes time ( and lots of it) but its well worth it for any band to spend them time and money on great recordings. This is ultimately what the PDs and MDs want to hear. Not necessarily that you have a label or a radio promo team. Very high Quality recordings. One thing I would recommend is that one of the members should research how radio works. There are tons of websites that explain everything. The biggest thing I see is that you have to spend 10k and up on commercial radio play. This is not the case , learn how to do it, pick up the phone and start calling. Most radio stations have their PD or MD listed under 'contact us' section. Or, email. Be persistent with it, call a PD/MD introduce yourself, be respectful, pitch them your single, get their email,send it. Give them two weeks or so then call him/her back or email. It takes time to do it as an independent artist but its well worth it.

By: MsMoxieBand on 2/22/2013 4:58:56 PM

Stations, at least reporter stations (stations that report to the charts) add new music on Monday or Tuesdays (depends on format) depending on the space or real estate the have in their play list. And depending on how much the radio promoter can offer up for marketing (add space, t-shirts, flyaways etc.). The best way to get your music played is to hire a radio promoter. They have the relationships with other indies/radio promoters, consultants, station owners, PD/MDs that will take there calls. Unless you go with college or non-comm stations, then you can reach out to them yourself, but again there are companies that have relationships at these levels too.

By: Anonymous on 2/22/2013 4:51:03 PM

Stations, at least reporter stations (stations that report to the charts) add new music on Monday or Tuesdays (depends on format) depending on the space or real estate the have in their play list. And depending on how much the radio promoter can offer up for marketing (add space, t-shirts, flyaways etc.). The best way to get your music played is to hire a radio promoter. They have the relationships with other indies/radio promoters, consultants, station owners, PD/MDs that will take there calls. Unless you go with college or non-comm stations, then you can reach out to them yourself, but again there are companies that have relationships at these levels too.

By: Anonymous on 1/30/2013 8:32:23 PM

I am seeing less and less variety on the radio. How often is new music added to the rotation these days?

By: Anonymous on 1/29/2013 3:35:10 PM

You should always hire a radio promoter when launching a radio promo campaign. Check out www.rocktheshamrock.com

By: Anonymous on 12/27/2012 7:51:37 PM

Thanks for the article. But where are the tips on how to get radio stations to begin spinning your songs, or at the very least tips on how to get program directors to dignify you by at least really listening to your songs prior to sending the form letter, "thank you but no thank you." What indie artists need are concrete tips and examples on how to approach the stations and program directors, and with what materials..

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